ABOUT THE ARTIST -- CITATIONS AND REFERENCES

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• Camilla Groth, Making Sense Through Hands: Design and Craft Practice Analysed as Embodied Cognition (PhD dissertation), Aalto University Publication, 2017, p32.

• Kevin Murray, “The Social Object as a new pathway for contemporary ceramics”, Gyeonggi International Ceramic Biennale, Korea, conference paper, September 2013.

• Edith Garcia, Ceramics and the Human Figure, A&C Black,

London, 2012, pp128-131.​

• Xanthi Barker, “A Curious Calling: Bonnie Kemske”,

London Confidential, 5 December 2011.

• Anita Herle, “Assembling Bodies: Art, Science and Imagination:

Exploring the research potential of assemblage and juxtaposition”,

Association of Art Historians Annual Conference 2010, Glasgow.

• Emmanuel Cooper, Contemporary Ceramics – International Perspective,

Thames and Hudson, London, 2009.

• Anna Willieme, “In Conversation with Merleau-Ponty: Enhancing Embodiment with Art beyond Sight”, philoSOPHIA, 3rd Annual Meeting, 27-29 May 2009, New York USA.

• C. Bickley-Green, Art Elements: Biological, Global, and Interdisciplinary Connections, Dubuque, IA: Kendal Hunt Publisher, 2009.

• Jo Dahn, “Elastic/Expanding: Conceptual ceramics”, in Extra/ordinary:

Craft Culture and Contemporary Art, Maria Elena Buszek (editor),

Duke University Press, 2008.

• Martha M. Whitehouse, Sonic Morphology: Aesthetic Dimensional Auditory Spatial Awareness (PhD dissertation), Ann Arbor MI: ProQuest 2008, p58.

• ​Cathy Treadaway, “Translating Experience”, Physicality 2007: the proceedings of the Second International Workshop on Physicality (www.physicality.org/Physicality_2007).

• “Ceramic Artist, Bonnie Kemske”, Quality BRITAIN, published by the British Embassy, Tokyo, 1997.

• David Whiting, “Seven on Form”, Ceramics: Art and Perception, Australia, Issue 11.

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